Art+Feminism at Spazju Kreattiv

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Art+Feminism at Spazju Kreattiv

7 February 2020 - 23 August 2020
With the participation of
Mirjana Batinić, Debbie Caruana Dingli, Oksana Chepelyk, Therese Debono, Emma Fsadni, Anna Grima, Gloria Oyarzabal and Enriqué Tabone.

Ticket Information

Free
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Children
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Cinema Club Members
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Concession tickets include students, senior citizens and Special ID Holders (SID).

Venue Information

Spaces

St James Cavalier
Castille Place, Valletta VLT1060 Malta

Additional Information

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7 February 2020 23 August 2020

Dates: Friday, 7 February 2020 – Sunday, 23 August 2020 Venue: Space A and Space B, Spazju Kreattiv Following on the previous two editions of Art+Feminism in Malta, Spazju Kreattiv has invited a small number of women artists whose works form part of the Fondazzjoni Kreattività Art Collection to present new works alongside others by international artists who responded to an associated open call. The range of artists spans three generations, from established names to emerging talents. The works show a broad approach to the theme of the exhibition, engaging diverse media and presentational methods. The artists are Mirjana Batinić, Debbie Caruana Dingli, Oksana Chepelyk, Therese Debono, Emma Fsadni, Anna Grima, Gloria Oyarzabal and Enriqué Tabone. Curator: Toni Sant. Special events Meet the Artists II: Thursday 5 March at 6:30pm, Spazju Kreattiv Atrium Curator’s Tour: Friday 6 March at 3pm and Sunday 8 March at 10:30am  

Mirjana Batinić

The relationship between mother and child is one that has been illustrated throughout history as one that holds a profound amount of intimacy. In her work ‘Liquid Gold’, Mirjana Batinić illustrates her own personal experience of this intimacy, now as a mother with the person she refers to as ‘her best artwork ever’, her child Misha.

Debbie Caruana Dingli

Caruana Dingli is creating a collection of cartoon paintings on mothers. In ’Garden Party’, the mother is in a low patch of her life. “The last thing she feels like doing is going to a party. But there she is with her black cloud following her, thinking everyone is having a great time, when in actual fact other people have their problems, too.”

Oksana Chepelyk

The ‘Genesis’ project is precisely about the value of a human being – of ‘new forms of maternity’ through which the female body in the condition of surrogate motherhood becomes a container for breeding human material, and the danger of life without that most important love – that of a mother and child – without which the world could completely lose its sense of existence.

Therese Debono

Debono’s photographic project ‘Brides on Beds’ explores the final moments of women entering a new transofrmative stage in their lives. ‘It was about three years ago where I had this epiphany of sorts, where I realised that I was the last person to take a photo of this girl, woman, who is leaving her parents’ house to go into marriage’.

Emma Fsadni

‘Rinse’ is an aesthetic and conceptual rinsing of these accumulated roles that have been imprinted in one’s understanding of an individualised and collective concept of identity. Here, the word rinse, and the concept of rinsing is being interpreted as a form of cleansing. The washed out aesthetic given to the series of portraits captures the impression of this rinsing process being undergone. The diluted representation also blurs the indication of the individual’s gender, which conceptually extends to blurring what is metaphorically masculine and feminine’.

Anna Grima

Grima’s work ‘Fifth and Sixth Chakra – Sound Vibration’ is a mixed media diptych which portrays the relations between the conscious and the subconscious. This highly individualistic work seeks to depict contemporary spatial problems and one’s striving for balance between mind and body, a balance which can then be directed to the greater social consciousness.

Gloria Oyarzabal

Composed of a series of archived images from the British colonial period, studio shoots in Lagos, street photography and extracts from the African library of feminist literature, this work looks at the impact of colonialism upon the concept of the woman. It particularly visualises distortion of the woman in a postcolonial context within the African continent, taking into account issues of class, race, age, gender, and even health.

Enriqué Tabone

‘Ġisimna’, alongside its sister-piece ‘Ġismi’, and ‘Fjur’ act as a reconfiguration of history, where ‘her’ becomes its prefix. Enriqué Tabone’s project ‘Pre-Herstory’ follows the artist’s reaction to the patriarchal perspective on the so-called Maltese mother goddess, a significant pre-her/historical figure.

Photographs: Darryl Cauchi
Videos: Cyberspace AV

Details

Start:
7 February 2020
End:
23 August 2020
Cost:
Free
Event Categories:
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Organiser

Spazju Kreattiv
St James Cavalier
Castille Place, Valletta VLT1060 Malta
356 21223200