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Met Opera in Cinema 2018/2019 – Aida (Live)

October 6 @ 6:55 pm - 10:40 pm

This grandest of grand operas features an epic backdrop for what is in essence an intimate love story. Set in ancient Egypt and packed with magnificent choruses, complex ensembles, and elaborate ballets, Aida never loses sight of its three protagonists.

Met Opera in Cinema 2018/2019 – Samson et Dalila (Live)

October 20 @ 6:55 pm - 10:05 pm

In Saint-Saens' biblical epic Samson et Dalila, Darko Tresnjak makes his Met debut directing a vivid, seductive staging, featuring a monumental setting for the last-act Temple of Dagon, where the hero crushes his Philistine enemies.

Met Opera in Cinema 2018/2019 – La Fanciulla del West (Live)

October 27 @ 6:55 pm - 10:15 pm

Puccini’s “American” opera, based on David Belasco’s play The Girl of the Golden West, had its glamorous and highly publicized world premiere at the Metropolitan Opera, with the composer in the audience. The drama is set during the California Gold Rush, and the girl of the title is one of Puccini’s most appealing heroines—a strong, independent woman determined to win the man she loves.

Met Opera in Cinema 2018/2019 – Aida (Encores)

November 2 - November 25

This grandest of grand operas features an epic backdrop for what is in essence an intimate love story. Set in ancient Egypt and packed with magnificent choruses, complex ensembles, and elaborate ballets, Aida never loses sight of its three protagonists.

Met Opera in Cinema 2018/2019 – Marnie (Live)

November 10 @ 6:55 pm - 10:00 pm

Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities.

Bolshoi Ballet in the Cinema 2018/2019 – La Sylphide (Live)

November 11 @ 4:00 pm - 6:00 pm

La Sylphide is one of the world’s oldest surviving ballets, and a treasure in the Danish Bournonville style. Restaged for the Bolshoi by Bournonville expert Johan Kobborg, this production is the ultimate romantic masterpiece.

Met Opera in Cinema 2018/2019 – Samson et Dalila (Encores)

November 16 - December 2

In Saint-Saens' biblical epic Samson et Dalila, Darko Tresnjak makes his Met debut directing a vivid, seductive staging, featuring a monumental setting for the last-act Temple of Dagon, where the hero crushes his Philistine enemies.

Met Opera in Cinema 2018/2019 – La Fanciulla del West (Encores)

30 November 2018 - 6 January 2019

Puccini’s “American” opera, based on David Belasco’s play The Girl of the Golden West, had its glamorous and highly publicized world premiere at the Metropolitan Opera, with the composer in the audience. The drama is set during the California Gold Rush, and the girl of the title is one of Puccini’s most appealing heroines—a strong, independent woman determined to win the man she loves.

Met Opera in Cinema 2018/2019 – Marnie (Encores)

December 7 - December 30

Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities.

Bolshoi Ballet in the Cinema 2018/2019 – Don Quixote (Encore)

December 9 @ 6:00 pm - 8:55 pm

Inspired by heroic stories of brave knights, Don Quixote of La Mancha and his faithful servant Sancho Panza set out on an adventure to meet his ideal woman, Dulcinea.

Met Opera in Cinema 2018/2019 – La Traviata (Live)

December 16 @ 6:00 pm - 9:10 pm

Verdi’s La Traviata survived a notoriously unsuccessful opening night to become one of the best-loved operas in the repertoire. Its intimate scope and subject matter inspired the composer to create some of his most profound and heartfelt music. The title role of the “fallen woman” has captured the imaginations of audiences and performers alike with its inexhaustible vocal and dramatic possibilities—and challenges.

Met Opera in Cinema 2018/2019 – La Traviata (Encores)

21 December 2018 - 27 January 2019

Verdi’s La Traviata survived a notoriously unsuccessful opening night to become one of the best-loved operas in the repertoire. Its intimate scope and subject matter inspired the composer to create some of his most profound and heartfelt music. The title role of the “fallen woman” has captured the imaginations of audiences and performers alike with its inexhaustible vocal and dramatic possibilities—and challenges.

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